Tree man 'who grew roots' may be cured

By Matthew Moore

Last Updated: 2:49am GMT 13/01/2008

An Indonesian fisherman who feared that he would be killed by tree-like growths covering his body has been given hope of recovery by an American doctor - and Vitamin A.

Update: Tree root man is innocent victim Fighting the curse of the face-eating tumour Surfer dude stuns physicists with theory of everything Dede, now 35, baffled medical experts when warty "roots" began growing out of his arms and feet after he cut his knee in a teenage accident. Watch: Dr Anthony Gaspari believes that he has diagnosed Dede's rare condition The welts spread across his body unchecked and soon he was left unable to carry out everyday household tasks. Sacked from his job and deserted by his wife, Dede has been raising his two children - now in their late teens - in poverty, resigned to the fact that local doctors had no cure for his condition. To make ends meet he even joined a local "freak show", parading in front of a paying audience alongside victims of other peculiar diseases. Telegraph TV: Dr Anthony Gaspari examines Dede's lesions Update: Tree man says he wants to live to see grandchildren Weird Wired Web: Why can't gays climb Everest? Although supported by his extended family, he was often a target of abuse and ridicule in his rural fishing village. But now an American dermatology expert who flew out to Dede's home village south of the capital Jakarta claims to have identified his condition, and proposed a treatment that could transform his life. After testing samples of the lesions and Dede's blood, Dr Anthony Gaspari of the University of Maryland concluded that his affliction is caused by the Human Papilloma Virus (HPV), a fairly common infection that usually causes small warts to develop on sufferers. Watch: The growths on Dede's arms and feet are known as 'cutaneous horns' Dede's problem is that he has a rare genetic fault that impedes his immune system, meaning his body is unable to contain the warts. The virus was therefore able to "hijack the cellular machinery of his skin cells", ordering them to produce massive amounts of the substance that caused the tree-like growths known as "cutaneous horns" on his hands and feet. Dede's counts of a key type of white blood cell are so low that Dr Gaspari initially suspected he may have the Aids virus. Chinese pan for gold in the sewage Indian man marries dog How About That: More bizarre news stories from around the world But tests showed he did not, and it became clear that Dede's immune condition was something far rarer and more mysterious. Warts aside, he had enjoyed remarkable good health throughout his life - which would not be expected of someone with a suppressed immune system - and neither his parents nor his siblings have shown signs of developing lesions. "The likelihood of having his deficiency is less than one in a million," Dr Gaspari told the Telegraph. Dr Gaspari, who became involved in the case through a Discovery Channel documentary, believes that Dede's condition can be largely cleared up by a daily doses of a synthetic form of Vitamin A, which has been shown to arrest the growth of warts in severe cases of HPV. Watch: Dede with his teenage daughter. He fears that his children may also become infected "He won't have a perfectly normal body but the warts should reduce in size to the point where he could use his hands," Dr Gaspari said. "Over the course of three to six months the warts should be come smaller and fewer in number. He will be living a more normal life." The most resilient warts could then be frozen off and the growths on his hands and feet surgically removed. Dr Gaspari hopes to get the necessary drugs free of charge from pharmaceutical firms. They would then be administered by Indonesian doctors under his supervision. Still intrigued by the origins of Dede's peculiar immune condition, the doctor would like to fly him to the United States for further examination, but fears the financial and bureaucratic barriers would prove too difficult to overcome. "I would like to bring him to the US to run tests on where his immune condition has come from, but I would need funding and to get him a visa as well as someone to cover the costs of the tests," he said. "I've never seen anything like this in my entire career." "Half Man Half Tree", part of the "My Shocking Story" series, will be shown on the Discovery Channel at 9pm on Nov 15. For more details visit the programme's website.

Jean Michel Jarre - Equinoxe 4

Equinoxe 4 from Akropolis Concert

Jean-Michel André Jarre (born 24 August 1948) is a French composer, performer and music producer. He is highly regarded as one of the pioneers in the Electronic, Synth Pop, Experimental and New Age genres, as well as the organiser of record-breaking outdoor spectacles of his music, which feature laser displays and fireworks, linking music with the surrounding environment and architecture. Jarre has sold an estimated 80 million albums and singles over his career.[1]

His original artistic name was Jean-Michel Jarre, but around 1991 he dropped the hyphen in the name.

Poema impulsivo de las 12:20 AM. sin destinatario.

Victorias que saben a derrotas
derrotas en el nombre de victorias
ganar a mi corazón convoca
a destrozarme yo solo, no hay gloria.

Visiones de pasados indomables
y besos que vienen del infierno
no hay azufre, solo invierno
miradas con entrañas miserables.

Me pregunto por tu nombre.
Me pregunto tu color.
Mujeres psicóticas con hambre,
mujeres tranquilas son dolor.

El morbo de los globos oculares
saltando de las cuencas, ya vacías,
la sangre corre (poemas malditos de la vida)
y me embriago, engañado, por lo bares.

He olvidado mi nombre ya.
Tirado en una esquina,
me arrastro por piedad.
Un cuervo entra a la oficina
“nunca más”
¡carajo!
Buenos días, soledad.

Equivócame

Sábila. Todo el cuarto se empapo de tu Sábila
Ponzoñosa herbolaria mandrágora delatora
No se trata de rociar a la semilla que oscila
Pero te bese una noche, Mientras hundías en mi tu espora

Equivócame, hazme saber que todo mi entender esta errado
No me veas a los ojos, que suficiente nausea he generado
Se me cae la piel a pedazos, los hematomas nacen a mi lado.
Me he desangrado, me he fastidiado, fustigado y suicidado..

Sábila, Todo el Universo se empapo de tu Sábila
Venenosa resurrección de Mona lisa delatora
No he querido fastidiar a tu lencería color lila
Te bese una noche, Mientras devaste tu linda flora

Equivócame, deteriórame, humíllame y tirame
Que la mas contundente herida, la causas al tocarme
Sábila, toda mi sangre, sabe a sábila, ¿Por qué tuviste que matarme?

El Caminito, Mi Guitarra y Vos

Versiones, de San pascualito rey and Jorge Drexler, de el caminito y Mi guitarra y vos, respectivamente, Edicion Surreal, Malformada y Desconfigurada, realidades apestosas, confusion efimera

Eraserhead (1977) Cabeza de Borrador

Abordar una película surrealista desde el punto de vista de la comprensión de su trama es tan lógico como tratar de contar las estrellas del cielo: antes de terminar nuestra tarea tendremos tortícolis (por otra parte: ¿para que contar algo que es humanamente incontable?). Con ERASERHEAD, al igual que con LA AGE D'OR (La Edad de Oro-1930) de Luis Buñuel y Salvador Dalí, tenemos varios niveles de comprensión:
1) La narrativa básica (querrámoslo o no, todo tipo de manifestación fílmica tiene cierto grado de narrativa), en la que un gordito petiso llamado Henry Spencer (especial e inmortal caracterización de Jack Nance) acude a cenar a casa de los padres de su novia. Ahí la madre le informa no solo que ha dejado embarazada a la hija, sino que ella ha tenido el bebé, y que de ahora en más, deberá hacerce cargo de su hijo.
2) Desarrollo psicológico de personajes: El carácter psicológico del protagonista se comienza a revelar a través de su vestimenta (usa permanentemente ropa un talle más chico), y en sus diálogos, nos termina de dar la tónica. Henry Spencer es el resultado del aislamiento del ser humano en una sociedad tecnológica e industrial que convierte a las personas en autómatas.
3) Aproximación pesadillesca: Al igual que las películas vanguardistas y experimentales de toda la historia del cine, ERASERHEAD puede ser interpretada como una pesadilla, tanto de su protagonista o bien, de su director, David Lynch. Su lógica es tal que el espectador no solo que no puede en ningún momento anticipar o preveer lo que va a venir, sino que no siente la necesidad de preveerlo. Por ende, su lógica es la de un sueño, donde la sucesión de acontecimientos carece de valor (la causa no necesariamente debe preceder al efecto).
4) Generación de sensaciones: ERASERHEAD es la película que a cualquiera de nosotros nos habría felizmente traumado viéndola de niños. Su permanente viento ululante, claroscuros, formas ténebres, blanco y negro asfixiante, silencios y clima enrarecido es tal vez la redefinición del término barroco pero aplicado a lo industrial y urbano. La presencia de un bebé mutante, una cantante deforme, gusanos de metabolismo acelerado y otras lindezas son partes de un rompecabezas cuyo significado ni el propio Lynch ha llegado a desentrañar.
Filme que decididamente no es para todos los gustos, pero que tiene la extraña poesía de la oscuridad, y partir del cuál, el término "bizarro" adquiere nuevo significado.



Existe una linea muy tenue y casi inperceptible que separa a la cordura de la locura, se dice que la locura podria tratarse inlcuso de una cordura extrema, de una percepcion mas acertada de la "realidad".

Allan Poe en su cuento: "El corazon delator" escribe unas lineas al principio del relato que dicen algo mas o menos asi:

"¡Es verdad! Soy nervioso, terriblemente nervioso. Siempre lo he sido y lo soy, pero, ¿podría decirse que estoy loco? La enfermedad había agudizado mis sentidos, no los había destruido ni apagado. Sobre todo, tenía el sentido del oído agudo. Oía todo sobre el cielo y la tierra. Oía muchas cosas del infierno. Entonces, ¿cómo voy a estar loco? Escuchen y observen con qué tranquilidad, con qué cordura puedo contarles toda la historia."

La locura no es mas que el lado oscuro de la mente, el pedazo de cerebro prohibido socialmente, en la locura se encuentran los pensamientos mas creativos y los miedos mas fatales.

Eraserhead, cabeza de borrador, un film dirigido por David Lynch en el que el delicado concepto de sensates se diluye en lo insano.

La historia de Eraserhead no es facil de asimilar, aun cuando la logres terminar de ver(muchos no la terminan por que: "esta muy loca", dicen...), te sera casi imposible encontrar la razon de ser de este material filmico. Sus escenas son oscuras, la historia esta sumergida en un ambiente tenso lleno de tinieblas e instintos basicos, la secuencia de eventos no aparenta mucho sentido, las acciones de los presonajes no encajan en nuestro mundo, Eraserhead es el producto de un mal sueño en una noche densa.

Al inicio de la pelicula se hace notar de inmediato la particularidad de esta cinta; en escena aparece un "esperma", floando, sus movimientos son aleatorios y pesados, un sumbido en la imagen molesta al espectador, y cuando nadie lo espera: BAMM!, la madre esa explota: fin de la escena.

Aparece caminando un aturdido hombre, parece como si fuera caminando detras de una fabrica, la pared detras de el es enorme, el camina rapido y nervioso, algo lo atormenta, llega a un lugar donde se forma una gran sombra, y entra en ella con actitud temerosa y sumisa: fin de la escena.

... no voy a contarla toda, no!, hay que verla para poder al menos tratar de entenderla. Eraserhead, dirigida por David Lynch.

Joseph Merrick - the Elephant Man (Special)

Joseph Merrick was born on August 5th, 1862, at 50 Lee Street, Leicester, England. His parents were named as Joseph Rockley Merrick, who was a warehouseman, and Mary Jane Merrick, who suffered from a crippling condition. The family was completed by two younger siblings, brother William Arthur Merrick and sister Marian Eliza Merrick. Marian was also born a cripple.

Early Warning
Joseph was apparently free from any noticeable deformities when he was born, but at around the age of twenty-one months his lower-lip began to swell. This turned into a hard tumor in the right cheek of the baby Merrick, causing his mother obvious concern. However, she could not have foreseen the monstrous proportions which this development would eventually take. As he grew, so did the deformities. A bony lump appeared on the forehead, his skin started to become loose and rough, and his right arm and feet began to look peculiar. The most disturbing part for Mary Merrick was a long 'snout-like' lump of flesh that extended several inches from out of her son's upper-lip. Poor Joseph was to suffer further discomfort, when at the age of 3 he fell heavily, damaging his left hip. The family were too poor to afford proper treatment so the hip became diseased, which left him permanently lame.

Family Losses
In 1870, just before Christmas, Joseph's brother William fell seriously ill with scarlet fever. His condition rapidly deteriorated and within twenty-four hours he was dead. This laid a heavy burden on the shoulders of his suffering mother who had two crippled children and a shop to manage. In three years she too became seriously ill, this time with broncopneumonia. On Thursday May 19th, 1873, she died.

It did not take his father long to remarry and by the end of 1874 Joseph had a new stepmother and step-siblings. To his dismay Joseph was rejected by his new family and was forced to look for work, eventually getting a job at a cigar factory. After two years he became a door-to-door hawker. When he spent all his wages on food for himself, he was severely beaten by his father and turned out onto the streets for good. He found refuge with his uncle Charles, a barber, the only member of his family who still gave him any consideration. But even this fell apart when Joseph couldn't keep up with his work and failed to have his hawking license renewed. Joseph knew his uncle couldn't afford to keep him on, so in the last days of 1879 he had no choice but to enter the Leicester Union Workhouse. Seeing his deformities the authorities had no hesitation in allowing him shelter. He was on his own from now on.

A Way Out
Life in the workhouse was a nightmare. After four years Joseph was desperate to find a way out. The only thing to have broken the monotony was an operation to remove the fleshy snout which had become too large. In his despair he wrote to a local showman, Sam Torr, asking to take him on as an exhibit. After a meeting, Mr Torr agreed to the request and Joseph joined him on a tour of the country. The 'Elephant Man' was born.

The arrangement with Torr eventually led to Joseph joining up with a man named Tom Norman, an exhibitor of London. It became a fruitful partnership for both, and for the first time in many years Joseph was given comfort and a decent wage to live on. He settled into exhibition life in a shop in the Whitechapel area, near the London Hospital. This location attracted a lot of interest from doctors who were keen to see the freak of nature. By now Merrick's condition had enhanced greatly: his head was huge, he had large boils and lumpy skin. His right arm was nothing more than an oversized club, and the same could be said about his legs and feet. All that was normal was his left arm, which had a feminine look to it.

One such doctor that came to see him was Frederick Treves. He arranged a private viewing for a small fee, and being horrified but intrigued by what he saw, managed to convince Tom Norman to allow Joseph an examination at the nearby hospital. Treves, a gifted young surgeon, examined him a few times, but the next request was turned down. Joseph was angered at being stripped naked and shown to Treves' colleagues. This was the last Treves would see of Joseph for some time.End Of The Show
By 1885 public opinion was changing. Freakshows were no longer considered morally acceptable, and the police were obliged to close them down. This meant the end of the show for Joseph in Britain. While he had no problem exhibiting himself, the masses decided they knew better. It was degrading, a disgrace to human dignity, they said. So Joseph would have to give up his only means of making a decent wage, a time which had so far been the happiest period of his life. In a last attempt to continue working, he went to exhibit in Belgium with a Mr. Ferrari. It failed, the distaste for freakshows becoming as apparent in Europe as it had in Britain.

In June of 1886 Joseph was abandoned by Ferrari in Brussels. To compound his misery, Ferrari also stole his savings of 50 pounds. After pawning his few possessions, he managed to scrape together enough money to get back to London. A blow to Joseph came when he was refused passage on a boat by the appalled Captain, who said his horrid appearance would scare the passengers. He did eventually get to Britain, but by the time he arrived at Liverpool Street Station, London, he was mentally and physically exhausted. He collapsed, surrounded by curious onlookers, and handed a card to an assisting policeman. The card was that of Frederick Treves, The London Hospital.

A New Beginning
Joseph was initially put into one of the isolation rooms usually reserved for cases of contagious disease. With the help of Treves and the hospital staff he slowly regained his strength. Joseph suffered from an incurable condition so he would not be allowed to stay at the hospital after he had recovered as much as he was likely to. After five months it seemed that he would again be turned onto the streets. A publicity campaign was sparked on his behalf, including a famous letter to The Times by the hospital chairman Carl Gomm. This helped convince the hospital committee to accept Joseph as a permanent resident, a unique occurrence. The Elephant Man had a new home.

Two rooms of the hospital basement, known as Bedstead Square, were specially converted for Joseph's personal living space. The larger of the rooms became a bed-sitting room containing a table, chairs, fireplace, a specially built armchair, and a bed. The bed had to be set up in such a way as to account for Joseph's strange way of sleeping. Because his head was so big, it would cause suffocation for him to lie on his back, so he slept crouched over with his hands and head on his knees. The smaller room became a bathroom. No mirrors were allowed in either. Joseph was astonished with his new home, and spoke of his gratitude often. It was the stable environment he had been longing for all his life.

The Last Years
Only at the age of 23 could Joseph begin to enjoy life in a reasonably normal way. Treves kept up a close relationship with him, as both surgeon and friend. He learned to understand Joseph's obscured way of speaking and they enjoyed long conversations. It happened that beneath the horrific exterior, there lay an intelligent and sensitive young man who loved to read and to talk. To prevent him from feeling too isolated Treves would introduce him to friends and acquaintances. He met many people of high society, including members of the royal family, and exchanged letters with them. Among his possessions he could boast signed portraits of famous actress Madge Kendal, and Princess Alexandra. It became a cult among friends of the Princess to visit the Elephant Man in his hospital home. People would remark on what a nice character he had. There was not a trace of bitterness in him.

Joseph particularly enjoyed building models and baskets, which he would give to members of the hospital, and to friends. He had a wonderful time when he visited the theatre to watch a production of 'Puss in Boots', and in the later years he spent time on holiday in the country, walking through the fields and sitting in the woods. He also regularly attended service at the chapel.

His condition was all the time deteriorating, and it was known that he would not live much longer. His heart was weakening and his strength fading. He had to walk with a stick on account of his damaged hip. One thing that didn't fade, however, was his spirit. He remained content with his life, grateful for everything that had been done for him.

Joseph died suddenly on April 6th, 1890, at the age of 27. His body was discovered at around three o'clock when the house surgeon came to see him. He was lying across his bed, his neck having become dislocated by the immense weight of his head. Joseph had often spoken of wanting to sleep like normal people, and perhaps he was trying to do so. After his death his body was dissected and his bones still stand in the private museum at the London Hospital, along with casts made, and some of his possessions.

The Elephant Man
Joseph Merrick was described by many as the most degraded example of humanity they had ever seen. Almost all of his body was affected by deformity. His skull was a massive 32 inches in diameter and covered by huge lumps of bone and skin. The right arm was three times the size of the unaffected left, and basically useless. The legs and feet were like the right arm. All over his body, especially his torso, skin hung loose and had a rough feel to it. He was also short, only about 5'2" in height. In a perverse irony, the genitals remained entirely unaffected.

At the time a few theories were made as to what was wrong with Joseph, although no real conclusion has ever been made. An exaggerated case of neurofibromatosis, a genetic disorder of the skin, was considered a strong possibility. Proteus Syndrome, involving an overgrowth of bodily tissues and bone disorder, is a more recent theory. With the advancement of genetic science it should one day be possible to say conclusively what the problem was.

Frederick Treves went on to have one of the most distinguished careers in medical history, including saving the life of the king by operating on his appendix the day before he was to be crowned. There is no doubt that the arrival of the Elephant Man helped his career considerably, although this is not to say that Treves took advantage of Merrick, or that he didn't possess the talent to reach such heights. In his final book before he died, The Elephant Man and Other Reminiscences, Treves wrote an account of his time with Merrick, although he chose to call him John rather than Joseph (this led to him being called John Merrick in the film The Elephant Man directed by David Lynch). In this book is an apt summary by Treves:

As a specimen of humanity, Merrick was ignoble and repulsive; but the spirit of Merrick, if it could have been in the form of the living, would assume the figure of an upstanding and heroic man, smooth browed and clean of limb, and with eyes that flashed undaunted courage.

El hombre elefante (The Elephant man) es una película estadounidense del año 1980, dirigida por David Lynch. La película fue rodada en blanco y negro.

La película basada en hechos reales, se desarrolla en la Inglaterra del siglo XIX y narra la vida de Joseph Merrick, personaje que se hizo célebre en su época por las terribles deformidades que padecía y por su notable inteligencia.

KILL THE MOSQUITO

Historia Suculenta, track del hombre burbuja, narrado por Todes Zombie, maluco, fanfarron, y exquisitamente odioso, ojala les agrade

San Pascualito Rey

San Pascualito Rey actualmente está conformado por:
Pascual (voz), Alex Nexus (sintetizador), Adolfo (guitarras), Juan (bajo) y Evers (batería).

El grupo tiene como característica fusionar rock con trip hop, lounge, canción romántica y música folklórica mexicana entre otras. Los entendidos se han referido al sonido del san Pascualito Rey como “dark guapachoso”, “mariachi-eléctrico” o “sonido grupero-melancólico-espacial-tropicoso” por sus ruidos orgánicos y sus texturas analógicas. En su lírica hablan del dolor, el desamor, la muerte y la vida de manera muy singular.

El grupo se forma en el año 2000 cuando Pascual fue invitado a tocar las canciones que había grabado en solitario para un demo personal y propone a algunos amigos (todos de lugares cercanos a Satélite en el norte de la Cd. De México) arreglar los temas para ser tocados como grupo; entre ellos se encontraban Adolfo, Nexus, Juan y Jorch, al ver que las canciones funcionaban muy bien al ser interpretadas por todos, deciden dar forma a San Pascualito Rey para inciar su carrera musical.

Es hasta finales de 2003 cuando publican su primer LP independiente ‘SUFRO, SUFRO, SUFRO’ bajo el sello Intolerancia, producido por Gerry Rosado (Guitarrista de Consumatum Est y también productor de Fratta, Santa Sabina, Real de Catorce, Javier Corcobado, Eva Malva y El Haragán, entre otros).

Con un nuevo integrante (Evers en la batería) en octubre del 2005 el grupo edita el EP ‘AHORA VUELVO’ nuevamente bajo la mano de Gerry Rosado. Este trabajo es una especie de anexo al 'Sufro, Sufro, Sufro', contiene 6 canciones, 3 de ellas re-creadas en el mundo bizarro por alteregos de San Pascualito Rey.

En el 2006 sale a la luz su nuevo LP llamado: DESHABITADO. También producido en Intolerancia por Gerry Rosado. En esta producción el grupo plasma su madurez en este nuevo trabajo que combina una sólida base musical con cálidos tonos análogos e instrumentación orgánica muy variada que unidos a la voz y profunda lírica de dramática sencillez en las 12 canciones (más la introducción) que integran “Deshabitado”, crean una experiencia intensa que nos exige completa atención. Para “Deshabitado” el grupo dejó fuera los sampleos con la intención de registrar el sonido natural del cuarto de ensayo, resultando de esto una evolución musical que reafirma su personalidad mexicana y amplía su espectro sonoro. Rock, rancheras, balada setentera, huapangos, música de congal, algo de sicodelia y mucha experimentación en matices y texturas musicales es parte de lo que muestra “Deshabitado”, tercera placa de San Pascualito Rey.

The Mist (2007)

Fear Changes Everything

Everyone thought of it as a harmless lightning storm. When Dave Drayton (Thomas Jane) notices a strange mist on the lake, he thinks nothing of it. When his son, Billy Drayton (Nathan Gamble), his neighbor Brent Norton (Andre Braugher), and himself travel to the supermarket, the unthinkable happens. On their way to the market, they see the army, the firefighters, and the police, heading toward the mist. When he sees this Brent mentions something about "Project Arrowhead", a secret military plan that no one knows about. As they are shopping, they see three army men walk in, just to pick up a few things then head toward the mist.All eighty of the store's shoppers had no clue what was going on until an old man (Jeffery Demunn) runs in the market with a bloody nose and declares "Something in the mist!" He tells them to close the door. About five seconds after they do close the door, the entire store shakes, as though it was lifted feet above the ground. When David is asked to check on the generator, the loading dock door was being pushed by something outside. Then there was a groan heard by Dave. He asks three people to come with him. When Norm the bag-boy(Chris Owen) volunteers to go out, he is taken by a creature with large squid-like tentacles that have mouths, teeth, and arms of their own. When Dave and the other three fight it off, they alarm everyone in the store what is out there. After hearing this, Mrs. Carmody(Marcia Gay Wallace)exclaims that it is the end of times and that God is punishing them. People don't believe it until Mrs.Carmody has almost everyone in the store on her side. Does 'Project Arrowhead' have anything to do with this? Will Dave Drayton, his son, and his friends make it out alive as they make their last stand against this destruction? Or will they be taken by the demon-like creatures of 'The Mist'?

Les recomiendo el Libro, que estoy acabando de leer

Xabel Vegas y Las Uvas de la Ira

"Canciones Sobre Traiciones Y Mentiras"

Mushroom Pillow - 2007

Ep de cinco canciones de Xabel Vegas al margen de Manta Ray de sonido muy song-writter americano.

El título del disco no puede ser más explícito, temas sobre desesperanza, traición y en algunos casos redención. Letras de alto contenido dramaturgico y magnifico sonido acustico el conseguido por su banda "Las uvas de la ira" compuesta por John Álvarez, Eva Diaz, Eras Sánchez e Iker González.

El avance ha sido bastante bueno, veremos que nos depara su próximo largo.

¡Ah! Y sí, es su hermano.

http://www.myspace.com/xabelvegas